THE EIGHTEENTH CENTURY
p. 232). ' Cambier also bought a type from Rosart (see pp. 254-255). However, these
acquisitions were not enough to arrest the decline ofthe concern. The typefoundry
and the printing business were put up to auction [in 1755].2 For another twelve
years the purchasers of the typefoundry, Jan Roman & Company,3 tried to keep
their heads above water; but they failed, and the stock had to be sold. So it was that
Ploos van Amstel and Enschedé, as I said before (see p. 89), came to buy this material
Groóte Canon Duyts.
€tt ЬоеЬ ïmnjt
зр tarnt щ Ш
baatmtbetefetmtn
iœffeïfê jtante аф
ting bam bat %m&
CUîWi^ît
Deeze bovenftaande Canon Duyts is in'tjaar 17480p II3
nieuw gefneden, en overtreft, zo wy meen en, zeer verre ч*л2
in fraayheyd de Plantynfe, dewelke tot hier toe bekend |I
en in gebruyk is geweeft. I 4>
Fig. 241. Two-line Great Primer Black Letter No. 565, cut by Fleischman in 1748.
Resetting of a page ofthe type-specimen of Izaak and Johannes Enschedé, 1748.
[1] This appears from undated entries in Fleischman's J. С. В. (which stands for JaCoB as well as for J. CamBier).
account-book (Haarlem, Museum Enschedé, стѵ 298^ to This specimen (incipit: Grote Kanon Romeyn) also shows a
which he added the dates of payment, 3 November 1752, 20 Two-line Great Primer Roman and Italic, and a Small Patagón
March 1753,11 September 1753, and January 1754. These types Roman, which are attributable to J. F. Rosart. See List of type-
appear in the specimen in which the foot-note added to them specimens no. 89.
and stating that they were all cut in the year 1753 is signed [2] See p. 88.
[3] Ibidem.
23O
JOHANN MICHAEL FLEISCHMAN
and divide it between them. Fleischman's Pica went to Ploos and the Small Pica to
Enschedé.
The typefoundry of Hermanus Uytwerf passed to the firm of Brouwer & Weyer,
probably about 1750. * By 1754 Brouwer had withdrawn,2 leaving Martin Weyer as
sole proprietor. In that year Weyer ordered a Ruby Black Letter from Fleischman.3
It is an admirably even-coloured face, and it soon became a favourite. It is now
Flmclimcm
wotting for
Martin vityet
Kleyne Canon Duyts.
t*
к*
tx
*
Ê
m
)x
k
іЖ
X
X
tt perne geji'm: mbt
Щ$Ып/ дотов/ alj£ I
ïmErïjten щ bt uttbt. f
faîte in baton: Mibe |
I taie tmn muur Ьпп^ t
gem figten.
x
X
il 1234567890 ;:.!* 1
д Deeze bovenftaande Kleyne Canon Duyts is in'tjaar W
V i749nieuwgefneden,isnooytvoorheenopeenigeGie- v
о teryen te zien geweeft, zynde deeze de eerfte Kleyne Й
V Canon Duyts,diehetlichtziet,zodatindeezeGietery V
de Nederduytfe Schriften alle door eene en dezelfde
hand gefneden zyn.
Ж
Ж
X
X
X
ix
X
Fig. 242. Two-line English-bodied Black Letter no. 564, cut by Fleischman in 1749.
Resetting of a page ofthe type-specimen of Izaak and Johannes Enschedé, 1748.
[1] See note 3 on p. 196, and Wan Eeghen 4, p. 149. There
are two specimens by Brouwer & Weyer in the Museum
Enschedé : one of Romans and Italics, which is headed Letter-
protf van âegieterye van Brouwer en Weyer, the other of titling capitals
and headed Proef van capitalen, die gegooten werden op de gietery van
[name cut out which would have been Brouwer enj Weyer tot
Amsterdam (Specimen of capitals which are cast in the foundry
of ... Weyer at Amsterdam). List of type-specimens nos. 90
and 91.
[2] Charles Enschedé wrote that Brouwer had either died
or withdrawn. Dr. van Eeghen describes under what circum¬
stances Weyer cancelled the contrail: with Brouwer on 30 July
1754. See Van Eeghen 5, Lettergieterijen.
[3] This is not to be found in Fleischman's account-book.
23I