312 NOTES ТО PAGES 214-I7

(London: Longman, 1972); Thomas Willard, “SirThomas Urquhart
of Cromarty: ‘The Jewel,’” The Modern Language Review 82, no. 4
(1987): 917-18.

14. David Cram, “Dalgarno, George (c.1616-1687),” Oxford Dictionary
of National Biography, May 200 6, http://www.oxforddnb.com/view/
article/7023.

15. Jorge L. Borges, “The Analytical Language of John Wilkins,” in
Other Inquisitions, 1937-1952 (Austin: University of Texas Press,
1964).

16. D. Knox, “Ironia Unmasked,” in Ironia: Medieval and Renaissance
Ideas on Irony (New York: Brill, 1989), 72.

17. Ibid.

18. David Cram, “Universal Language Schemes in 17th-Century Brit¬
ain,” Histoire Épistémologie Langage 7, no. 2 (1985): 34-44.

19. Bowen and Hartley, “The Right Reverend John Wilkins, RR.S.
(1614-1672),” 47-56.

20. Marie-Christine Claes, “Marcellin Jobard, un visionnaire dévoré
d’ambition humanitaire {Marcellin Jobard, a visionary humani¬
tarian consumed by ambition},” Scientific Connection no. 20 (2008):
20-23.

21. Chelsey Parrott-Sheffer, “Lithography (printing),” Encyclopaedia
Britannica, http://www.britannica.com/EBchecked/topic/343748/
lithography [last accessed August 9,2012].

22. Marie-Christine Claes, “Jobard invente le précurseur du smiley en
1841 {Jobard invented the precursor of the smiley in 1841},” jobard,
eu, June 23,2012, http://www.jobard.eu/spip.php?article34&lang=fr.

23. Ibid.

24. Claes, “Marcellinjobard, un visionnaire dévoré d’ambition humani¬
taire,” 20-23.

25. Jean-Jacques Rousseau, “Essai sur l’origine des langues,” in Collec¬
tion complete des oeuvres deJ.J. Rousseau, Citoyen de Geneve, volume 8
(Geneva: n.p., 1782), 357-434-

26. Alcanter deürahm, Alcanter de Brahm, L’Ostensoir des ironies, essai de
métacritique, ire partie, L’homme, la femme et la famille (Paris: Biblio¬
thèque d’art de ‘la Critique’, 1899).

NOTES TO PAGES 217-24 3» 313

27. Timothy J. Attanucci, “No Irony?” Meta Magazine, http://www.
meta-magazine.com/index.php?id=29 [last accessed August 27,
2011]; S. Zank, “Gentle Irony,” in Irony and Sound: The Music of Mau¬
rice Ravel, Eastman Studies in Music (Rochester, NY: University of
Rochester Press, 2009), 36.

28. W. C. Booth, “Is It Ironic?” in A Rhetoric of Irony (Chicago: Uni¬
versity of Chicago Press, 1975), 55.

29. W. C. Booth, “Learning Where to Stop,” in Ibid., 206.

30. M. B. Parkes, “Plates 34-35, The Percontativus used by two
sixteenth-century London Printers: Henry Denham and Abell
Jeffs,” in Pause and Effect: Punctuation in the West (Berkeley: Univer¬
sity of California Press, 1993), 218-19.

31. Zank, “Gentle Irony,” 36.

32. James Kirkup, “Obituary: Hervé Bazin,” The Independent, February
23,1996.

33. H. Bazin, Vipère Au Poing (Paris: Editions Garnier, 1948).

34. H. Bazin, “Les points d’intonation,” in Plumons l’oiseau (Paris: В.
Grasset, 1966), 141-43.

35. Bazin, “Les points d’intonation,” 142.

36. Bas Jacobs, “Irony Mark, and the Need for New Punctuation
Marks,” Underware, http://underware.nl/logotypes/irony_mark/
[last accessed September 30,2011}.

37. Ibid.

38. “Nieuw: het ironieteken [New: the irony mark],” Talk of the Town,
March 15,2007, http://t0wntalk.w0rdpress.c0m/2007/03/15/nieuw-
het-ironieteken/; Basjacobs, Personal correspondence, September
2011.

39. “A New Style,” The Baltimore Sun, http://www.baltimoresun.com/
about/bal-redesign-storytype,o,972889.htmlstory [last accessed
August 28,2011}.

40. Jean F. Porchez, “Mencken Text,” Typofonderie.com, http://www.
typofonderie.com/alphabets/view/MenckenText [last accessed
August 28,2011}.

41. Jacques Kelly, “H. L. Mencken, Pioneer Journalist,” The Baltimore
Sun, September 18,2005.