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17. М. В. Parkes, “Plate 49. Paris, Bibliothèque nationale, MS Lat.
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18. M. B. Parkes, “Plate 50. Paris, Bibliothèque nationale, MS Lat.
12132, fol 20V,” in Ibid., 248-49.

19. “Insular Script,” Encyclopaedia Britannica, http://www.britannica.
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20. R. Pettersson, “Quotations,” in Information Design: An Introduction,
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21. Finnegan, “What Are Quote Marks and Where Did They Come
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26. Ibid.

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NOTES TO PAGES 195-2ОО 305

29. McGurk, “Citation Marks in Early Latin Manuscripts,” 3-13.

30. J. A. Calosse, Illuminated Manuscripts (New York: Parkstone Inter¬
national, 2011).

31. Mitchell, “Quotation Marks, National Compositorial Habits and
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32. Finnegan, “What Are Quote Marks and Where Did They Come
From?” 79-95.

33. M. B. Parkes, “The Technology of Printing and the Stabilization of
the Symbols,” in Pause and Effect: Punctuation in the West (Berkeley:
University of California Press, 1993), 50-64.

34. Mitchell, “Quotation Marks, National Compositorial Habits and
False Imprints,” 359-84.

35. Edward Surtz, “John Fisher and the Scholastics,” Studies in Philology
55, no. 2 (1958).

36. Mitchell, “Quotation Marks, National Compositorial Habits and
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37. N. Baker, “The History of Punctuation,” in The Size of Thoughts:
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38. M. B. Parkes, “Plate 36. J. Fisher, Defensio regie assertionis contra
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58Г,” in Pause and Effect: Punctuation in the West (Berkeley: Univer¬
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39. Mitchell, “Quotation Marks, National Compositorial Habits and
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