288 2** NOTES TO PAGES I4O-45

60. D. E. Knuth, “Digital Typography,” in Digital Typography, CSLI
Lecture Notes (CSLI Publications, 1999), 67-155.

61. T. L. De Vinne, “Signatures,” in The Practice of Typography: Modern
Methods of Book Composition (New York: Century, 1904), 269-76.

62. Knuth, “Breaking Paragraphs into Lines,” in Digital Typography,
CSLI Lecture Notes (CSLI Publications, 1999), 67-155.

63. Zapf, “About Micro-Typography and the fe-Program,” 283-88.

64. Robert Bringhurst, “2.4 Etiquette of Hyphenation & Pagination,”
in The Elements of Typographic Style: Version 3.2 (Vancouver, BC:
Hartley & Marks, 2008), 42-44.

65. Bringhurst, “2.1 Horizontal Motion,” 25-36.

66. S. Garfield, “American Scottish,” in Just My Type: A Book About
Fonts (London: Profile, 2010), 197-204.

67. Ibid.

68. Toby Thain, Robert Koritnik, Hrant H. Papazian, Simon Daniels,
Charles Ellertson, John Hudson, and Thomas Phinney, “Origins
of InDesign’s New Paragraph Layout Engine?” Typophile, June
20, 2007, http://www.typophile.com/node/34620; Hàn T. Thành,
Micro-Typographic Extensions to the Tex Typesetting System, PhD the¬
sis, Masaryk University Brno, October 2000.

69. Eric Gill, An Essay on Typography (Jaffrey, NH: David R. Godine,
1993)-

70. James Hartley and Richard L. Mills, “Unjustified Experiments in
Typographical Research and Instructional Design ” British Journal
of Educational Technology 4, no. 2 (1973): 120-31; S. J. Muncer, B. S.
Gorman, S. Gorman, and D. Bibel, “Right Is Wrong: An Examina¬
tion of the Effect of Right Justification on Reading,” British Journal
of Educational Technology 17, no. 1 (1986): 5-10.

71. A. Rafaeli, “The School of Close Spacing,” in Book Typography (New
Castle, DE: Oak Knoll Press, 2005), 9-30.

8. THE DASH (—)

i. Eric S. Raymond, in The New Hacker’s Dictionary (Cambridge,
MA: MIT Press, 1996), 45.

NOTES TO PAGES 145-47 2<* 289

R. M. Ritter, “En Rule,” in The Oxford Style Manual (Oxford: Oxford
University Press, 2003), 140-41; University of Chicago Press, “En
Dashes,” in The Chicago Manual of Style, 16th edition (Chicago: Uni¬
versity of Chicago Press, 2010), 331—33.

Oxford English Dictionary, “Aposiopesis, n.” Oxford English Diction¬
ary, http://www.oed.com/view/Entry/9392 [last accessed August 27,
2012}; University of Chicago Press, “Em Dashes,” in The Chicago
Manual of Sty le, 16th edition (Chicago: University of Chicago Press,
2010), 333-35.

Will Hill, “Page Layout,” in The Complete Typographer: A Foundation
Course for Graphic Designers Workingwith Type (London: Thames &
Hudson, 2010), 130-35; University of Chicago Press, “Em Dashes,”

333-35-

Robert Bringhurst, “5.2 Dashes, Slashes & Dots,” in The Elements
of Typographic Style: Version 3.2 (Vancouver, BC: Hartley & Marks,
2008), 80-84.

J. Joyce and D. Kiberd, Ulysses, Penguin Classics (New York: Pen¬
guin Books, 2000), i.

Theodore Rosendorf, “Dash,” in The Typographic Desk Reference
(New Castle, DE: Oak Knoll Press, 2009), 40.

Bas Jacobs, Personal correspondence, April 2012.

J. Alan Kemp, “The Tekhne Grammatike of Dionysius Thrax:
Translated into English "HistoriographiaLinguistica 13, no 2. (1986):
343-63.

M. B. Parkes, “The Development of the General Repertory of
Punctuation,” in Pause and Effect: Punctuation in the West (Berkeley:
University of California Press, 1993), 4I_49-
C. Kleinhenz, “Buoncompagno da Signa,” in Medieval Italy: An
Encyclopedia, volume 1 of The Routledge Encyclopedias of the Middle
Ages (New York: Routledge, 2004), 163-64.

J. N. Adams, The Latin Sexual Vocabulary (Baltimore: Johns Hop¬
kins University Press, 1982), 14; F. P. Leverett, Jacobo Facciolati,
Egidio Forcellini, Imm Scheller, G. H. Lünemann, and H. W. Tor-
rey, “Virgula,” in A New and Copious Lexicon of the Latin Language