Handbook of Type and Lettering 128

Schenk, W. Die Schriften des Malers.
Giessen: Fachbuchverlag Dr.
Pfannenberg, 1958.

Schenk, W. Die Schrift im Malerhandwerk.
Berlin: Verlag fur Bauwesen, 1965.

Schneidler, E. Der Wassermann. Ein
Jahrbuch fur Buchermacher. Über
Forschungen im Bereiche des Schreibens
und des Schriftentwurfs, des Setzens, der
Bildgestaltung, der Bildwiedergabe tind des
Drückens. Sonderdruck der Akademie
der bildenden Künste. Stuttgart:
Akademie der bildenden Künste, 1948.

Schriftmusterkartei, second edition.
Leipzig: VEB Fachbuchverlag, 1968.

Tschichold, J. Treasury of Alphabets and
Lettering. Reprint. New York: Design
Press, 1992, and London: Lund
Humphries, 1992.

Tschichold, J. Willkurfreie Massverhaltnisse
der Buchseite und des Satzpiegels. In
"Druckspiegel," Typographische
Beilage 7a/1964.

Zentrale Werbeabteilung der Leder- und
Druckfarben GmbH, Leipzig:
Rationelles Farbmischen, Buntfarben
fur den Buchdruck, Buntfarben fur den
Offsetdruck.

Selected Further Reading

Aldis, Harry G. The Printed Book.

Cambridge, England, 1951.
Bartram, Alan. The English Lettering

Tradition. London, 1986.
Bigelow, Charles, et al. (ed.). Fine Print on

Type: The Best of Fine Print Magazine on

Type and Typography. San Francisco/

London, 1988.
Carter, Harry. A View of Early Typography

up to about 1600. Oxford, 1968.
Child, Heather (ed.). Formal Penmanship

and Other Papers: Edward Johnston.

London, 1971.
Child, Heather. The Calligraphers

Handbook. New York, 1986.
Child, Heather, and Justin Howes. Lessons

in Formal Writing: Edward Johnston.

London, 1986.

Craig, James. Production for the Graphic
Designer. New York, 1974.

Day, Kenneth (ed.). Book Typography
1815-1965 in Europe and the United
States of America. London, 1966.

DeVinne, Theodore Low. Modern

Methods of Book Composition: A Treatise
on Type-setting by Hand and by Machine
and on the Proper Arrangement and
Imposition of Pages. New York, 1904.

Dreyfus, John (ed.). Type Specimen

Facsimiles: Reproductions of Fifteen Type-
specimen Sheets issued between the
Sixteenth and Eighteenth Centuries.
London, 1963.

Dreyfus, John (ed.). Type Specimen
Facsimiles II: Reproductions of Fifteen
Type-specimen Sheets issued between the
Sixteenth and Eighteenth Centuries.
London, 1972.

Folsom, Rose. The Calligraphers
Dictionary. London, 1990.

Gill, Eric. An Essay on Typography (rev.
ed.). London/Boston, 1988.

Gray, Bill. Calligraphy Tips. New York,
1989.

Gray, Bill. Lettering Tips. New York,
1980.

Gray, Bill. Studio Tips. New York, 1976.

Gray, Bill. Tips on Type. New York, 1983.

Johnson, A.F. Type Designs: Their History
and Development. London, 1966.

Jaspert, W. Pincus, W. Turner Berry, and
A.F.Johnson. The Encyclopaedia of Type
Faces (rev. ed.). London, 1983.

Johnston, Edward. Writing and

Illuminating and Lettering (rev. ed.), ed.
by W.R. Lethaby. London, 1944; New
York, 1977.

McLean, Ruari. Modern Book Design from
William Morris to the Present Day.
London, 1958.

McLean, Ruari. Jan Tschichold:

Typographer. London/Boston, 1975.

McLean, Ruari. The Thames and Hudson
Manual of Typography. London, 1980.

Modern Scribes & Lettering Artists.
London, 1990.

Morison, Stanley. On Type Designs Past

and Present: A Brief Introduction.

London, 1962.
Morison, Stanley. First Principles of

Typography (2nd ed.). Cambridge,

England, 1967.
Rookledge, Gordon, and Christopher

Perfect. Rookledge's International

Typefinder. London, 1983.
Simon, Oliver. Introduction to Typography.

London, 1969.
Spencer, Herbert. Pioneers of Modern

Typography (rev. ed.). London/New

York, 1982.
Stone, Bernard, and Arthur Eckstein.

Preparing Art for Printing. New York,

1983.
Sutton, James, and Alan Bartram. An Atlas

ofTypeforms. London, 1968.
Tschichold, Jan. Asymmetric Typography.

London/Toronto/New York, 1967.
Tschichold, Jan. Treasury of Alphabets and

Lettering (reprint). New York/London,

1992.
Tschichold, Jan. The Form, of the Book:

Essays on the Morality of Good Design.

London/Washington, 1992.
Twyman, Michael. Printing 1770-1970:

An Illustrated History of its Development

and Uses in England. London, 1970.
Updike, Daniel Berkeley. Printing Types,

their History, Forms and Use: A Study in

Survivals (rev. ed.). London/New York,

1980.
Wills, F.H. Fundamentals of Layout. New

York, 1965.
Wilson, Adrian. The Design of Books. New

York, 1974.
Wallis, L.W. Modern Encyclopedia of

Typefaces 1960-90. London, 1990.
Zeier, Franz. Books Boxes and Portfolios.

New York, 1990.

250

Akzidenz-grotesk 152, 153, 174

Amati neoclassical roman 120

Arabic numerals 106

Architecture, lettering and 72, 171, 205-212

Artists' works, handlettered book / 79

Athenaeum, neoclassical roman 120

Ball-point pens 64, 197

Banners, lettering 211

Barbedor, Louis 125

Baroque fraktur 101

Baroque italic 209

Baroque roman 119,120

Baroque script 125-129

Baskerville, John 119

Baskerville roman 119

Bâtarde styles 70, 95-97

Bayer, Herbert 42

Bellyband, book jacket 194

Bembo italic 118

Bembo roman 106, 109

Birthday cards, lettering 171

Bodoni, Giambattista 13, 120

Bodoni roman 120, 122, 172, 195, 206, 212

Bohemian bâtarde 95

Bold roman neoclassical type 130, 131-137

Book, handlettered

generally 179-187

binding of 187-190

colophon 186

format 180

front matter 185-186

layout 186-187

page layout 180-183

text, design 183

typeset book compared 180
Book covers, handlettered book 188, 190
Book jackets, design 171,194
Bookbinding

generally 187-190

adhesive binding 190

covers 188, 190

folders 188

multiple pages 188-190

paper, grain of 187

paperfolding 188

parchment for 176

side-sewing 189

simple binding 188
Brecht, Bertholdt 28
Breitkopf fraktur 101
Brochures, format 29
Bronze plaques, lettering on 211
Brushes

drawing 37

lettering 37, 41, 175
Brushwork, lettering 36, 41, 42, 50, 51

Calligraphy

generally 174-189

book, see Book, handlettered

engraving 125
Cancellaresca 112
Capital letters

decorative 13, 98, 102-103, 126-127,
174

initial capitals, see Initial capitals

italic script 62

monumental roman 121, 123

Renaissance capital, construction 42

roman 13, 70, 72, 80, 90, 106

rustic capitals 82-83, 88, 90

sans serif roman 42-51
Carolingian miniscule 20, 88, 95, 106
Caslon, William 119
Caslon, William IV 130
Caslon type 110
Centaur type 106
Certificates

calligraphy / 75

tubes for 188
Chalk 37, 175

Chancery cursive script 105,112
Chinese binding, handlettered book 189
Chinese ink 33,176,197
Chinese roman type 109
Circular arrangement, letters of logo 192
Civilité typé 95, 99
Clarendon type 130
Coats of arms, lettering 175
Color

associations 17

calligraphy, documents and short texts
175

layout 28

light/dark contrast 16

pure and "broken" color 17

warm/cool contrast 17

woodcut printing 203
Column structure, handlettered book 183
Company history, handlettered book 179
Composition, design 26-28
Computer typesetting 196, 199, 200
Condensed sans serif roman