Richard Kegler / WA Dwiggins
2001

Dwiggins Uncial is based on
calligraphy William Addison Dwiggins
created for a book-arts publication in
1935 This self-described "experimen¬
tal uncial" lettering features rather
unusual treatments of letterforms
that combine manuscript calligraphy
with modern idiosyncrasies.

Dwiggins Extras is also adapted
from abstract and representational
Dwiggins' famous handcut celluloid
icit designs.

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James Grieshaber
2001

The name says it all. Gothic from the
old literary style and/or current sub¬
culture genre. And Gothic meaning a
block or sans-serif style of lettering
The concept was to take the classic
German style lettering and create a
contemporary entended block letter
typeface The result is a fusion of old
and new

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LaDanse is a 'facsimile' Font, based on
sample of handwriting found in an
ancient Hungarian type specimen book.

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Gerardus Mercator was born in
the Netherlands in 1512. His name
has become synonymous with the
Mercator map projection scheme
where our globe is represented as
a flat image. As a man of the
Renaissance. Mercator also had
an interest in such subjects as
calligraphy Contemporary American
calligrapher Arthur Baker has studied
the penmanship of Mercator and
has created this font based on the
lettering used on Mercator's famous
world map.

Mercator Regular

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Mercator 5wash

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224

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Inspired by the free-flowing lettering
styles of Art Nouveau master Alfons
Mucha, circa 1900.

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Platten Italic

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Platten

The P22 Platten font family is based
on lettering found in a German foun¬
tain pen practice book from the
1920s. This round-tip pen lettering is
comparable to the basic forms used in
grammar school leaching alphabets.
but with a few original characteristics.
The Italic version has even more of
these unusual features.

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Richard Kegler / Vojtech Preissig
2001

Preissig created handcut fonts using
a knife in linoleum blocks. This font
was based on one such design from
1912.

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Salon Shadow

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P22 Salon was originally inspired by
Art Nouveau lettering In the develop¬
ment of the three fonts (P22 Salon
full, P22 Salon Inner and P22 Salon
Shadow), they began taking on a
slightly more modern feel. All three
variations were designed to be com¬
pletely interchangeable with one
another, and can be layered to
achieve a variety of effects

www.internationalhouseoffonts.com

225