Richard Kegler. Desmond Poirier
1999

This font set was developed for the
Albright-Knox Aft Gallery, Buffalo, New
York, and is inspired by their famous
collection of Pop Art. Artists such as
Warhol. Lichtenstein and Rauchenberg
sought to blur the lines between high
and low art as well as the boundaries
between art and everyday life. The
alphabets and extras in this set reflect
that spirit.

Prehistoric Pals set

Michael Want
1997

A scientifically indefensible font, this
whimsical collection falls somewhere
between ToyBox and Fontasaurus on
the PZZ evolutionary scale.

POP ART/

Pop Art Comic

ABCPEFGHIJKLMNOPQRSTVWXYZ
123456789O@£$*¥á/?AÉÍ0ÜÑ6

Pop Art Comic Bold Italic

ABCPEFGHIJKLMNOPQRSTVWXYZ
1234567890®£$t* &/ ?AEl0ÜNß

Pop Art Stencil

ABGDEFGHIJKLIIINOPORSTVWXYZ
12545(>789()©bSC¥íJ?AÉÍ0ÜÑp>

J

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«Q © O

□

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F^

% ¡1 0

А а В b■ С с D d E e F f Gg H h I i J j К к L I M m N n О о
P p Q q R r S sTtUuVvWwXxY y Z z 1 2 3 4 5 6 7 8

9 0 !'@ # $ % л & * ( ) á ç é î 0 ü ñ ß œ /E Js л * .

J0 #*

Im * ^Л

214

1-800-P22-5080

Posada - Día De Los Muertos

---------i/Eaj£=~!MS=fí»Jlj---------

AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQq
RrSsTtUüVvWwXxYyZzI2345ácéí0üñ*

Posad Irregular

AABBGcDDÊEFFqGHHllJjKKLLMMNNOO

PpQqRrSsTtuuVvWwXxYyZzI2345âÇ

Posada Extras

■ш%\\^&^§

Preissig -s Ceske Písmo

Preissig Roman

AaBbCcDdEeFÍGgHhliJjKkLlMmN PreissiS Roman presents a

n0oPpQSR/SsT.tUuVv.WwXxTYyZz^näfaSLmfe

1 2 34 5âaàâaâèêëéîïÎÎ0UÛUÙn$IwuL characterized by its complete

p,tiS!ig Scrape lack of roundness, the ascenders

naBbCcDdEepfGgHHíJjKbLUTInirinQQ зегіГ^ГпіаГапТеѵТп Al!

РП 17 Г.Till li Ili V II T other diagonals and curves are

pUqlAr^$|tUuUuU/u/AxL|y¿Zl234$ wedgeshaped.

Ш $< ИI э=э і=о <аот ^зо е=^ е=э «сз ег@ е> g

SOB___

Day of the Dead set

James Grieshaber, Richard Kegler

Mexican printmaker José Guadalupe
Posada (1SS1-1913) created a mas¬
sive variety of material (broadsheets.
cards, advertisements, posters, etc.],
which largely represented a defense
of the common man and a manifesta¬
tion of the horrible and gruesome
events of the day. His most notable
imagery comes from his Calaveras
(skeletons) celebrating the Day of
the Dead.

P22 Posada Regular and Irregular are
based on J. G. Posada's hand-rendered
typography used for some of his
posters and broadsides. This lettering
sought to mimic the wood type styles
of the time, complete with hand'drawn
nuances and Posada's own flair.

Richard Kegler/Vojtech Preissig
1997

These typefaces and graphic elements
are drawn from the work of Ciech
designer Vojtech Preissig. whose type
and book designs helped define the
Czech graphic arts identity of the early
twentieth century. These alphabets
combine bold experimentation with a
high degree of legibility.

www.p22.com 215