Richard Kegter / William Morris
2001

William Morris (1834-1896) was prob¬
ably the most influential figure in (he
Arts 6 Crafts and private press move¬
ments of the (ate nineteenth and early
twentieth centuries. In reaction to (he
increasing lack of quality that the
industrial revolution brought on.
Morris sought a return to the ideals of
the medieval craftsman Dissatisfied
with the commercially available type¬
faces of the day. he undertook the
design of the fonts for his Kelmscott
Press book himself. This font set fea¬
tures those designs.

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Morris Golden

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Morris Troy

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ORRIS
GOLDEN

was created
by P22type
foundry with a rough edge
to simulate the look of
printing on hand'made
paper. There is a more
"refined" recent version of
Golden, but its sterile
digitization does not
approach the effect that
Morris achieved in his
Kelmscott books. You'll
notice the hand-rnade
effect less in the smaller
sizes, but will find it quite
decorative in the larger
sizes. (Morris cut his
Golden type in only one
size for the Kelmscott
Press, approximately equal
to 14 points.)

212

1-800-P22-5080

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Parrish

'etroglyphs European

■'etroglyphs North American

Richard Kegler, Christina Torre
1999

This (ont was created to help celebrate
the centennial of the Pan-American
Exposition of 1901. which was held in
Buffalo. New York.

Maxfield Parrish set

Richard Kegler

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Maxfield Parrish (1870-1966). whose
career spanned nearly ninety years,
holds a unique place in American art
and culture He was enormously
accomplished and successful in both
fine art and commercial endeavors.
Parrish's hand-drawn letters were a
significant paft of his works, which
bridged the familiar with a startling

Denis Kegler
1998

The oldest known form of visual com¬
munication, rock art expresses the culture
and traditions of primitive humankind.
P22's Petroglyphs picture font represents
ancient drawings and illustrations from
four continents. This set features more
than 250 images.

www.p22.com 213