Richard Kegler
1997
A stylized collision between positive and
negative. This display font can be used t(
create logotype effects simply by typing
Richard Kegler / John Cage
1997
Based on the handwriting and sketches
of American experimental composer
John Cage, this set was produced in
conjunction with The Museum of
Contemporary Art in Los Angeles and
the John Cage Trust.
This unique collection includes
fifty-two graphic extras culled from the
composer's notes and scores, as well as
the 'Cage Silence" font, inspired by
Cage's seminal work, 4' 33".
Michael Want, Richard Kegler
1996
This font set. created for the
Philadelphia Museum of Art, celebrates
the work of influential French artist
Paul Cézanne. P22's Cézanne font
allows you to beautify your documents
with a faithful rendition of the artist's
handwriting, while Cézanne Sketches
re-creates a variety of imagery from
the artist's work.
ЛШ<ШЕЕРР<&ШШКШШШООРР
ООНП CAGE О.,:;1}[]О*&°/о$#Ѳ!?Л£І0І)ГІГ®Іх^
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Cezanne Regular
sfß(?3>£fß-JfX;3J(/?X'r€> U.
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Constructivist Regular
Al5CDEFi;HIJKLHNOPeQRírrUVHXXtFZI23qSb
7 ЬЪОЪ\<еПѴ.*Ь* +:^ = ±^iî™E¥f€CE6t±B
ЛЛЛЛЛЛСЕЕЕЕ I I I I NOOOOÒ0DÜÍPÚUAAA
AÀAEÊEEIÎIINDDDDD0UUUU0/EIEC
0 в m - —........., „ > > ° • • ♦, : s x / \ l... < [ О ] >
nnstructivist Block
▲BCPEr^HIJLTLyy«P«lfTVTTTXTZia3.;?!0»O+:"
nslructivist Cyrillic
АБЦАЕОГХИИХКЛМНаПРРСТУВШЩЮЙЬІЧЗЭЁЪЬ
nnstructivist Line
nslructivist Square
^CDEFGHIJI
І5и1ДРР7І@*Г/.~Б* + : + = ±^¿í™E¥ft€«5t*4,
2 ï i ¿ i ♦_♦ _ .ü. .fi. ' * ♦♦ * ' ^^» «■♦ » » » л, ♦♦*#■» ■» i'
\AAAAACEEEEIIIINDDDDDnUUUU|í/EEEC
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ч чч
itruclivist Extras
■З^
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q^rSsTlU^vWa)x>îYy^/3345 à éî Pt/tiß
This set of fonts was based on the
posters and graphic designs of
Revolution Era Russian Artists Many
of the letters were based directly on
specific letter forms from the works
of Rodchenko, Pop ova. Strakhov and
others, while other letters were simply
inspired by the bold forms of the art¬
work of Malevich and El Lissitsky. One
of the biggest problems to resolve in
the development of this set was the
fact that some roman letters do exist
in Russian typography and conversely,
some Cyrillic letters do not have a
roman equivalent. Constructivist
Cyrillic includes Russian Cyrillic
letterforms for the purist and for
the person who wants to substitute
a backwards N occasionally to get a
pseudo-Cyrillic look.
All five styles of Constructivist were
based on the same proportions and
limited to a minimal number of shapes
and angles
Constructivist Regular is far from regu¬
lar, while Constructivist Line, Square,
Solid and Cyrillic are self-explanatory
as far as their basic attributes The five
fonts can be used interchangeably and
were designed to do so.
The Dada font is included on the
CD "Futurismo: Soundtrack to a
font," which serves as an audio
accompaniment to the
P22 II Futurismo font set.
www.p22.com
201